Attack Combinations

First tempo: the hitter jumps before or as the setter touches the ball.

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Third tempo is a high ball: the approach starts after the set.

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Second tempo comes between a quick and a high ball.

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Different speeds stop the block settling on one timing.

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A high, slow set lets every blocker arrive.

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The hitter jumps before the set, so the pass must be exact.

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Middles hit the quick sets.

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Quick, fast, high.

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The middle is moving before the ball reaches the setter.

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A hitter in the air at the moment of the set is first tempo.

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The X starts with the middle's quick approach in front of the setter.

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The second hitter cuts behind the middle to hit close beside her.

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If the middle blocker goes with the quick, the crossing hitter is free.

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The cross only works if she arrives a moment after the quick.

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An outside or the opposite crosses behind the middle.

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With the middle blocker committed, the crossing hitter faces little block.

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Two hitters crossing need practised paths and timing.

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The middle goes first; the crossing hitter follows.

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A committed blocker leaves the crossing hitter free.

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A quick with a second hitter crossing behind it is an X play.

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The slide hitter moves sideways in the air, so blockers chase her.

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Middles often run slides behind the setter.

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The slide finishes behind the setter, toward the right antenna.

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The set meets a hitter who is running along the net.

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The moving take-off makes the slide hard to block without a big jump.

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Starting as if for a quick drags the blocker before the slide moves away.

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The approach curves behind the setter, parallel to the net.

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Start in front, run behind, one-foot take-off, hit.

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Slides move most; high balls are hit almost straight up.

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A curved run behind the setter ending in a one-foot jump is a slide.

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A middle blocker watching the quick has no time to block the pipe.

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Outside hitters in the back row attack the pipe.

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A late attack from the middle catches blockers between hitters.

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The back-row hitter needs time and room to reach the ball from behind the line.

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With only two front-row hitters, the pipe adds one more option.

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Back-row players must take off behind the attack line to attack above the net.

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The pipe is hit from the back middle.

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The quick holds the block; the pipe follows.

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With the middle blocker held, the pipe goes through the middle.

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A back-row attack from the middle is the pipe.

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A fast set reaches the hitter before the middle blocker arrives.

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A fast set leaves no time for a late approach.

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A poor pass makes a fast, precise set very hard.

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The middle has to cover the whole distance in less time.

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Hitters at the antennae get the fast sets.

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A fast set is flat, just over the net.

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A flat path gets the ball across the net fast.

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Early start, flat set, contact near the antenna, late block.

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Flat and fast, medium, then high and slow.

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The block had no time to form against the fast set.

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Two attackers close together give the block two threats in one place.

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A hitter facing one blocker has more of the court open.

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Decoys draw blockers away from the hitter who gets the set.

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Attacking where the block is weakest gives the best odds.

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The blocker who jumped with the quick is coming down as she hits.

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Blockers cannot cover two hitters in one area at once.

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Reading the set is safer than guessing which hitter gets it.

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Load one side, then attack the other.

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Isolation means one blocker; a bad pass brings the whole block.

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Back-to-back jumps in one spot make a tandem.

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A decoy runs and jumps to draw blockers, but the set goes elsewhere.

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Each real-looking approach has to be respected.

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A lazy fake fools nobody.

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Middles run quicks on most plays, set or not.

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Unpredictable decoys keep the block guessing.

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After a bad pass, blockers know a quick is impossible and ignore the decoy.

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The call tells each hitter her job on the play.

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Call, fake, pull and set elsewhere.

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Only a full approach fools the blockers.

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Her run drew attention while the set went elsewhere.

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Each rotation puts a different set of hitters in the front row.

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A back-row hitter adds a third option.

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The best play depends on who is at the net in that rotation.

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A back-row setter may not send it over from above the net.

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With its best hitters at the net, the team uses its fastest plays.

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Each rotation needs its own paths and timing.

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The back-row opposite attacks from the right back.

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Know the rotation, choose, signal, run.

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Three front hitters give most options; no back-row attack gives fewest.

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Zone 1 gives the team another hitter for this rotation.

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A signal behind the back is hidden from the opponents.

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Once the rally starts, there is no time to agree a plan.

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Number systems give the place along the net and the speed of the set.

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In a broken rally, the setter needs to hear who can attack.

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If the pass is off, the planned play may not be possible.

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Codes keep the plan secret.

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The setter calls plays, sometimes following signals from the bench.

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Signal, acknowledge, serve, run.

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From the match plan down to the final choice.

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Hand signals behind the back tell the team's hitters the play.

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A bad pass usually rules out the fast parts of the play.

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A hitter who keeps coming stays an option.

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Every team agrees where the ball goes when the play cannot run.

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Crossing runs need exact timing.

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The best set goes to a hitter who can actually attack.

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Fast plays win points but can also bring errors.

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A play the opponents always read no longer works.

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A bad pass forces the team onto its bail-out plan.

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The faster the play, the more it needs a perfect pass.

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Crossing paths collide when the timing is off.

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